Saturday, April 1, 2017

British Academy Rising Star Engagement Award

I have been awarded a British Academy Rising Star Engagement Award (£15,000) for my project “After the Digital Revolution: Bringing together archivists and scholars to preserve born-digital records and produce new knowledge.”

The project will run for one year, from 31 March 2017.

Abstract
The digital revolution has profoundly affected the ways we encounter archival documents. Yet, archivists and literary scholars rarely "sit at the same table," and this lack of dialogue has an impact on issues of access, particularly in the case of born-digital materials. We will run two workshops to find solutions to this overall problem of access to emails and
other born-digital records in literary and publishers’ archives.

This will be achieved through three specific objectives.

  • First, we will look at the preservation of collections through data recovery (including the recovery of emails). 
  • Second, we will discuss new ways to make collections findable and usable. 
  • Third, we will share methods such as data visualisation and text mining to produce new knowledge. 
The project will bring together both established and emerging scholars and archivists. Reaching beyond an academic audience, the two workshops will not only raise public awareness of the need to preserve neglected and endangered archives, but also facilitate evidence-based policy making to address this issue.

Friday, February 17, 2017

MLA 2018 in New York City



The next MLA convention will be in New York City (4-7 January 2018).

Here are the two call for papers for SHARP sessions. Please send us an abstract or share with anyone with might be interested.

1. SHARP guaranteed session

Title of session: The Digital Future of Literary Archives

Submission requirements: Abstracts, 300 words

Deadline for submissions: 10 March 2017

Description: What does the future of literary archives look like? This roundtable will address issues of preservation, discoverability and accessibility following the digital revolution.

Contact person information: Lise Jaillant (l.jaillant [at] lboro.ac.uk)

2. Joint session with the Edith Wharton Society

 Title of the session: Edith Wharton, Book History and Digital Humanities

Submission requirements: Abstract, 300 words

Deadline for submissions: 10 March 2017

Description: New approaches in book history and digital humanities to shed light on Edith Wharton’s work and relationships with her publishers and readers.

Contact person information: Lise Jaillant (l.jaillant [at] lboro.ac.uk) OR Paul Ohler (Paul.Ohler [at] kpu.ca)

Wednesday, January 13, 2016

MLA 2017 in Philadelphia

The next MLA conference will be in Philadelphia (5–8 January 2017).

Here are the two call for papers for SHARP sessions. Please send us an abstract or share with anyone who might be interested.

1. SHARP guaranteed session
Radical Book History - People, Archives, Methods

How do we write radical book history? "Radical" book trade figures, the use of "radical" methodologies or archives. All periods and places. 250-word abstracts by 15 March 2016; Lise Jaillant (l.jaillant@gmail.com).

2. CSE-SHARP Collaborative Session
Editions/Author/Readers/Publishers

Editor-author relations; editors imagining or constructing readerships; social, interactive, crowd-sourced, translated/bilingual editions; editorial epistemologies, canons, information overload;
editions in promotion/tenure; paratext, apparatus, digital/print affordances. 250-word abstracts by 11 March 2016; Anne Coldiron (acoldiron@fsu.edu).

Tuesday, September 22, 2015

MLA 2016 in Austin, Texas

Time to book your tickets to Austin, Texas for the next MLA conference!

SHARP is organizing a panel on "Secret Archives: Privacy, Control, and Access", scheduled to take place at 1:45pm on 9 January 2016.

We are also co-sponsoring a reception at the Harry Ransom Center. See invitation copied below. We look forward to seeing you there!

Thursday, January 7th, 7 P.M.-9 P.M. at the Harry Ransom Center, 21st and Guadalupe Streets, The University of Texas at Austin campus

Please join the Harry Ransom Center and the Department of English at The University of Texas at Austin for a reception, co-sponsored by SHARP. Visit the exhibition Shakespeare in Print and Performance and speak with Ransom Center staff and English Department faculty. Wine and light hors d’oeuvres will be served. 

Please RSVP by December 15 to rsvp[at]hrc.utexas.edu, attendance is limited to the first 500 attendees.

Tuesday, September 15, 2015

Modernist Studies Association in Boston

I am organising a panel at the next MSA conference in Boston. Speakers will include Gail McDonald, Bethany Hicok and myself.

Here is a short description:

Revolutionizing Academia: Modernism, Pedagogy and the Ivory Tower

The relationship between modernism and pedagogy has long been a central concern of New Modernist Studies. As MSA members, we are well aware of the effect of pedagogy on “modernism” and its canon. At the 2013 conference in Brighton, the seminar led by Peter Howarth also invited us to think of modernism as a kind of pedagogy. The experience of teaching and having works taught profoundly affected the imagination of modernist writers – including, of course, Ezra Pound. This panel will further the discussion by focusing on academia, an institution that many modernists regarded as hopelessly traditional and isolated from real life. “By the time their formal educations were complete, Pound and Eliot dreaded the deadening lives academia seemed to hold out of them” – as Gail McDonald put it in her pioneering monograph Learning to be Modern. “Making it new” seemed impossible in the Ivory Tower, and yet, modernists continued to be fascinated by the university system.

Responding to the theme of the 2015 conference – “Modernism and Revolution” – this panel will address modernist writers’ attempts to change pedagogy from outside academia as well as the invention of modernist studies within academia and its impact on younger writers.

Thursday, April 9, 2015

Octave Uzanne, between Reaction and Modernism

I am happy to announce that my exhibition on Octave Uzanne will be shown at Senate House, London to accompany the conference Aestheticism and Decadence in the Age of Modernism: 1895 to 1945 (Friday 17 and Saturday 18 April 2015).

Octave Uzanne was a French bibliophile, writer and publisher whose work shows that Aestheticism and Decadence were anchored in the modern age.

Born in 1851, Uzanne abandoned his studies in law when he came into an heritage at the age of 21. He became friends with a group of bibliophiles, who encouraged his interest in eighteenth-century libertine works by neglected writers. As Willa Silverman puts it, "Uzanne's devotion to the France of Louis XIV and Louis XV would also lead him forward, as a proponent of the neo-Rococo aesthetic and decorative arts that at the turn of the century inspired Art Nouveau." This mix of modernism and anachronism was shared by the Goncourt brothers, whom Uzanne particularly admired.

Uzanne was also interested in applying new, industrial techniques to manufacture luxury books. His 1879 book Le Bric-à-brac de l'amour (featured in the exhibition) thus employed the new technique of gillotage, whereby an image is transferred to a zinc plate.

Uzanne did not limit himself to the re-edition of older works. His interest in the modern book led him to create three reviews: Le Livre: bibliographie moderne (1880-9), Le Livre moderne: revue du monde littéraire et des bibliophiles contemporains (1890-1), and L'Art et de l'idée: revue contemporaine du dilettantisme littéraire et de la curiosité (1892-3).

The quality of Uzanne's books was noted in the international press. Reviewing L'Ombrelle, le gant, et le manchon (featured in this exhibition), the London Times declared: "The illustrations - all admirable specimens of miniature drawing, etching, engraving, and tinting - are too good to have full justice done them in words. They should be seen." A review in the New York Times described La Femme à Paris (1894) as “a highly artistic achievement in a typographical sense, and impressively a book of the present time, of this very moment.

For more information on Octave Uzanne, visit the exhibition and read Willa Z. Silverman's excellent book, The New Bibliopolis: French Book Collectors and the Culture of Print, 1880-1914. The website www.octaveuzanne.com is also a good resource.

The display is of books held in the Foskett Uzanne Collection at Senate House Library, University of London. I am grateful to Dr Karen Attar for her assistance. See her blog HERE.