*For abstracts and PDFs, see Lise Jaillant's Academia.edu webpage*
(1) Cheap Modernism: Expanding Markets, Publishers' Series and the Avant-Garde (Edinburgh UP, 2017). “Edinburgh Critical Studies in Modernist Culture.”
Endorsement: "This book is notable for Jaillant’s deft use of a distinctive range of archives to throw new light on the relationship between the writers of the Modernist canon – Eliot, Woolf, Joyce, Lawrence and Wyndham Lewis – and the reprint publishers who introduced them to a wider European readership than the small coteries that greeted them on first publication. These reprint editions, neglected by many previous scholars, were not only in some cases rewritten by the authors but also placed the works in a new context of popular and genre fiction."
Prof. Alistair McCleery, Scottish Centre for the Book
- Los Angeles Review of Books: “Remarkable” – Cheap Modernism “illustrates an exemplary methodology for future study of what we might call serial culture.”
- Times Literary Supplement: "Embedded in broader histories of technological advancement in book production, education reform, copyright law and burgeoning academic markets, Jaillant's study makes a significant contribution to the continuing work of de-ghettoizing literary modernism."
- Times Higher Education: “Extensive archival work” – “Cheap Modernism is a book of facts and figures” for scholars “interested in analysis of context as well as content: how material culture and economics affected the style and substance of a text, and how it affected the reception and canonisation of modernist writers”
(2) Modernism, Middlebrow and the Literary Canon - the Modern Library Series, 1917-1955 (Routledge, 2014). “Literary Texts and the Popular Marketplace” series.
- Times Higher Education: a "little masterpiece"; "students of modernism will be grateful."
- Modernism/ Modernity: "Consistently insightful, surprising, and concise, Jaillant’s book makes an important contribution to both modernist and middlebrow studies."
- The Year’s Work in English Studies: “Jaillant’s study . . . offers a fresh perspective on the high/low debate told from the vantage point of one of the century’s leading publishers."
- Clio: “Jaillant has made a valuable contribution to both the history of the book and our understanding of the literary canon.”
- Times Higher Education ("What are you reading" section): "A fascinating study of book production and the marketing of culture in the early 20th century."
- SHARP News: "The case studies in Modernism, Middlebrow, and the Literary Canon provide an excellent addition to a course on book history and modernism."
- Woolf Studies Annual: "Jaillant’s study offers a detailed and carefully drawn study of the Modern Library’s version of Woolf and her contemporaries."
- American Literary History: "an important new contribution . . . part of the more conscientiously transatlantic move in modernist studies."
- Women: A Cultural Review: A “shrewd and agile study.”
- Los Angeles Review of Books: “Jaillant’s study provides fascinating insight into the marketing methods of the Modern Library."
- Papers of the Bibliographical Society of America: “Immensely illuminating” – the book “greatly changes the way we think about the middlebrow, canon formation, and the canon itself.”
- Journal of Modern Literature: “Jaillant’s study is particularly valuable . . . for her welcome complication of the commonly oversimplified understanding of the midcentury ‘battle of the brows.’”
- Sewanee Review: “meticulous unpacking of just how contentious the players on opposite sides of the Modern Library debates actually were. At this point enter Anthony Comstock, the founder of the New York society for the Suppression of Vice. . . . Jaillant tells his story in ways that bring a human face to the censors and their brand of censorship.”
- James Joyce Quarterly: “An engagingly written and rigorously researched study of the Modern Library” – “Jaillant’s book constitutes a meaningful contribution to the field of middlebrow studies.”
Special Journal Issue
Special issue on Global Modernism, co-edited with Alison E. Martin. Modernist Cultures (publication: Spring 2018).
Articles in Refereed Journals
(1) “From New York to Shanghai: Global Modernism, Cheap Reprint Series and Copyright.” Modernist Cultures (Spring 2018). 7,000 words.
(2) "Myth Maker: Malcolm Bradbury and the Creation of Creative Writing at UEA." New Writing: The International Journal for the Practice and Theory of Creative Writing 13.3 (2016): 350-67.
(3) "Shucks, we’ve got glamour girls too! Gertrude Stein, Bennett Cerf and the Culture of Celebrity." Journal of Modern Literature 39.1 (2015): 149-69.
(4) "Rewriting Tarr Ten Years Later: Wyndham Lewis, the Phoenix Library and the Domestication of Modernism." Journal of Wyndham Lewis Studies 5 (2014): 1-30. Awarded the Wyndham Lewis Memorial Trust Essay Prize for “cutting-edge scholarly research.”
(5) "‘I’m Afraid I’ve Got Involved With a Nut’: New Faulkner Letters." Southern Literary Journal 47.1 (2014): 98-114.
(6) "Subversive Middlebrow: The Campaigns to Ban Kathleen Winsor’s Forever Amber in the United States and in Canada." International Journal of Canadian Studies (Special issue on Print Culture and the Middlebrow, ed. Michelle Smith & Faye Hammill) 48 (2014): 33-52.
(7) "Blurring the Boundaries: Fourteen Great Detective Stories and Joyce’s A Portrait of the Artist as a Young Man in the Modern Library Series." James Joyce Quarterly 50.3 (2013): 767-95.
(8) "A Fine Old Tale of Adventure: Beowulf Told to the Children of the English Race,1898-1908." Children’s Literature Association Quarterly 38.4 (2013): 399-419.
(9) "Canonical in the 1930s: Willa Cather’s Death Comes for the Archbishop in the Modern Library Series." Studies in the Novel (Special issue on Willa Cather, ed. Andrew Jewell) 45.3 (2013): 476-99.
(10) "Sapper, Hodder & Stoughton and the Popular Literature of the Great War." Book History 14 (2011): 137-66.
(11) "A Masterpiece Ripped From Oblivion: Rediscovered Manuscripts and the Memory of the Holocaust in Contemporary France." Clio: A Journal of Literature, History, and the Philosophy of History 39.3 (2010): 359-79.
(1) “Ford Madox Ford and Book History.” The Routledge Companion to Ford Madox Ford, ed. Laura Colombino, Sara Haslam and Seamus O’Malley (under contract with Routledge). 7,000 words.
(2) "The New Publishers of the 1920s." American Literature in Transition, 1920-1930, ed. Ichiro Takayoshi (under contract with Cambridge UP). 6,000 words.
(3) “Pacifist Writer, Propagandist Publisher: Rose Macaulay and Hodder & Stoughton.” Landscapes and Voices of the First World War, ed. Angela K. Smith and Krista Cowman (New York: Routledge, 2017), pp. 131-50.
(4) "‘Introductions by Eminent Writers’: T. S. Eliot and Virginia Woolf in the Oxford World’s Classics Series." The Book World: Selling and Distributing Literature, 1900-1940, ed. Nicola Wilson (Leiden: Brill, 2016), pp. 52-80.