*If you'd like to know more, abstracts and PDFs
can be found on my
Academia.edu
webpage*
Articles in Refereed Journals:
(1) “Are Users of Digital Archives Ready for the AI Era? Obstacles to the Application of Computational Research Methods and New Opportunities” co-authored with Katherine Aske. Journal on Computing and Cultural Heritage 16.4 (2023): 1-16 (article no. 87). *OPEN ACCESS*
(2) “Applying AI to Digital Archives: Trust, Collaboration and Shared Professional Ethics” co-authored with Arran Rees. Digital Scholarship in the Humanities 38.2 (2023): 571-585. *OPEN ACCESS*
(3) “More Data, Less Process: A User-Centered Approach to Email and Born-Digital Archives.” American Archivist 85.2 (2022): 533-555. *OPEN ACCESS*
(4) “How Can We Make Born-Digital and Digitised Archives More Accessible? Identifying Obstacles and Solutions.” Archival Science 22 (2022): 417-36. *OPEN ACCESS*
(5) “Unlocking digital archives: cross-disciplinary perspectives on AI and born-digital data” co-authored with Annalina Caputo. AI & Society 37 (2022): 823-35. *OPEN ACCESS*
(6) “Diversity and
Entrepreneurialism: PN Review, Feminism and the Arts Council of Great
Britain, 1973-1990.” Twentieth-Century British History 32.4 (2021): 553-80. *OPEN ACCESS*
(7) "Invisible Poetry: Women, Ethnic Minorities and the Forgotten History of Carcanet Magazine." Review of English Studies 72.306 (2021): 756-74. *OPEN ACCESS*
(8)“After the Digital Revolution: Working with Emails and Born-digital
Records In Literary and Publishers’ Archives.” Archives and Manuscripts 47.3 (2019): 285-304. *OPEN ACCESS*
(9)“From New York to Shanghai: Global Modernism, Cheap Reprint Series and
Copyright.” Modernist Cultures 13.1 (2018): 115-33.
(10) "Myth Maker: Malcolm Bradbury and the Creation of Creative Writing at
UEA."New Writing: The International Journal for the Practice and Theory of
Creative Writing
13.3 (2016): 350-67.
(11)"Shucks, we’ve got glamour girls too! Gertrude Stein, Bennett
Cerf and the Culture of Celebrity." Journal of Modern Literature 39.1 (2015): 149-69.
(12)
"Rewriting Tarr Ten Years Later: Wyndham Lewis, the Phoenix Library
and the Domestication of Modernism."
Journal of Wyndham Lewis Studies
5 (2014): 1-30. Awarded the Wyndham Lewis Memorial Trust Essay Prize for
“cutting-edge scholarly research.”
(13) "‘I’m Afraid I’ve Got Involved With a Nut’: New Faulkner Letters." Southern Literary Journal 47.1 (2014): 98-114.
(14) "Subversive Middlebrow: The Campaigns to Ban Kathleen Winsor’s Forever
Amber in the United States and in Canada." International Journal of Canadian Studies (Special issue on
Print Culture and the Middlebrow, ed. Michelle Smith and Faye Hammill) 48
(2014): 33-52.
(15) "Blurring the Boundaries: Fourteen Great Detective Stories and Joyce’s A
Portrait of the Artist as a Young Man in the Modern Library Series." James Joyce Quarterly 50.3 (2013): 767-95.
(16) “A Fine Old Tale of Adventure: Beowulf Told to the Children of the English Race, 1898-1908.” Children’s Literature Association Quarterly 38.4 (2013): 399-419.
(17) "Canonical in the 1930s: Willa Cather’s Death Comes for the Archbishop
in the Modern Library Series." Studies in the Novel (Special issue on Willa Cather, ed. Andrew
Jewell) 45.3 (2013): 476-99.
(18) "Sapper, Hodder & Stoughton and the Popular Literature of the Great
War." Book History 14 (2011): 137-66.
(19) "A Masterpiece Ripped From Oblivion: Rediscovered Manuscripts and the
Memory of the Holocaust in Contemporary France."Clio: A Journal of Literature, History, and the Philosophy of
History
39.3 (2010): 359-79.
Book Chapters:
(1) “Literature in the Electric
Age.” Cambridge Critical Concepts: Literature and Technology, ed. Adam Hammond
(Cambridge UP, 2023), pp. 125-40.
(2) “Modernist Presses.”
Cambridge History of American Modernism, ed. Mark Whalan (Cambridge UP, 2023), pp. 381-96.
(3) “Design Thinking, UX and Born-digital Archives: Solving the Problem of Dark Archives Closed to Users.” Archives, Access and Artificial Intelligence, ed. Lise Jaillant (Transcript, 2022), pp. 83-107. *OPEN ACCESS*
(4) “User Experience and Access to Born-Digital Data Produced by Publishers: The Case of Carcanet Press.” Books.Files: Preservation of Digital Assets in the Contemporary Publishing Industry, ed. Matthew Kirschenbaum et al. (University of Maryland and the Book Industry Study Group, 2020), pp. 38-39. *OPEN ACCESS*
(5) “Flowers for the Living: Crosby
Gaige and Modernist Limited Editions.” Publishing Modernist Fiction and Poetry, ed. Lise Jaillant (Edinburgh UP, 2019), pp. 154-72.
(6) “Ford, Book History, and the
Canon.” The Routledge Research Companion to Ford Madox Ford, ed.
Sara Haslam, Laura Colombino and Seamus O’Malley (Routledge, 2019), pp.
61-75.
(7) “The New Publishers of the 1920s.”
American Literature in Transition, 1920-1930, ed. Ichiro Takayoshi
(Cambridge: Cambridge UP, 2017), pp. 397-416.
(8) “Pacifist Writer,
Propagandist Publisher: Rose Macaulay and Hodder & Stoughton.”
Landscapes and Voices of the First World War, ed. Angela K. Smith
and Krista Cowman (New York: Routledge, 2017), pp. 131-50.
(9)
“‘Introductions by Eminent Writers’: T. S. Eliot and Virginia Woolf in the
Oxford World’s Classics Series,”
The Book World: Selling and Distributing Literature, 1900-1940, ed.
Nicola Wilson (Leiden: Brill, 2016), pp. 52-80.