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Articles & Book Chapters

*If you'd like to know more, abstracts and PDFs can be found on my webpage*

Articles in Refereed Journals: 
(1)  Are Users of Digital Archives Ready for the AI Era? Obstacles to the Application of Computational Research Methods and New Opportunities” co-authored with Katherine Aske. Journal on Computing and Cultural Heritage 16.4 (2023): 1-16 (article no. 87). *OPEN ACCESS*
(2) Applying AI to Digital Archives: Trust, Collaboration and Shared Professional Ethics” co-authored with Arran Rees. Digital Scholarship in the Humanities 38.2 (2023): 571-585. *OPEN ACCESS* 
(3) More Data, Less Process: A User-Centered Approach to Email and Born-Digital Archives.American Archivist 85.2 (2022): 533-555. *OPEN ACCESS*

(5) “Unlocking digital archives: cross-disciplinary perspectives on AI and born-digital data” co-authored with Annalina Caputo. AI & Society 37 (2022): 823-35. *OPEN ACCESS*
(6)  Diversity and Entrepreneurialism: PN Review, Feminism and the Arts Council of Great Britain, 1973-1990.” Twentieth-Century British History 32.4 (2021): 553-80. *OPEN ACCESS*
(7) "Invisible Poetry: Women, Ethnic Minorities and the Forgotten History of Carcanet Magazine." Review of English Studies 72.306 (2021): 756-74. *OPEN ACCESS*

(10) "Myth Maker: Malcolm Bradbury and the Creation of Creative Writing at UEA."New Writing: The International Journal for the Practice and Theory of Creative Writing 13.3 (2016): 350-67.

(12) "Rewriting Tarr Ten Years Later: Wyndham Lewis, the Phoenix Library and the Domestication of Modernism." Journal of Wyndham Lewis Studies 5 (2014): 1-30. Awarded the Wyndham Lewis Memorial Trust Essay Prize for “cutting-edge scholarly research.”

(13) "‘I’m Afraid I’ve Got Involved With a Nut’: New Faulkner Letters." Southern Literary Journal 47.1 (2014): 98-114.

(14) "Subversive Middlebrow: The Campaigns to Ban Kathleen Winsor’s Forever Amber in the United States and in Canada." International Journal of Canadian Studies (Special issue on Print Culture and the Middlebrow, ed. Michelle Smith and Faye Hammill) 48 (2014): 33-52.

(16) “A Fine Old Tale of Adventure: Beowulf Told to the Children of the English Race, 1898-1908.” Children’s Literature Association Quarterly 38.4 (2013): 399-419.

(17) "Canonical in the 1930s: Willa Cather’s Death Comes for the Archbishop in the Modern Library Series." Studies in the Novel (Special issue on Willa Cather, ed. Andrew Jewell) 45.3 (2013): 476-99.

(19) "A Masterpiece Ripped From Oblivion: Rediscovered Manuscripts and the Memory of the Holocaust in Contemporary France."Clio: A Journal of Literature, History, and the Philosophy of History 39.3 (2010): 359-79.

Book Chapters:

(1) “Literature in the Electric Age.” Cambridge Critical Concepts: Literature and Technology, ed. Adam Hammond (Cambridge UP, 2023), pp. 125-40.
(2) “Modernist Presses.” Cambridge History of American Modernism, ed. Mark Whalan (Cambridge UP, 2023), pp. 381-96.

(3) “Design Thinking, UX and Born-digital Archives: Solving the Problem of Dark Archives Closed to Users.” Archives, Access and Artificial Intelligence, ed. Lise Jaillant (Transcript, 2022), pp. 83-107. *OPEN ACCESS*
(4) “User Experience and Access to Born-Digital Data Produced by Publishers: The Case of Carcanet Press.” Books.Files: Preservation of Digital Assets in the Contemporary Publishing Industry, ed. Matthew Kirschenbaum et al. (University of Maryland and the Book Industry Study Group, 2020), pp. 38-39. *OPEN ACCESS*

(5) “Flowers for the Living: Crosby Gaige and Modernist Limited Editions.” Publishing Modernist Fiction and Poetry, ed. Lise Jaillant (Edinburgh UP, 2019), pp. 154-72.

(6) “Ford, Book History, and the Canon.” The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (Routledge, 2019), pp. 61-75.

(7) “The New Publishers of the 1920s.” American Literature in Transition, 1920-1930, ed. Ichiro Takayoshi (Cambridge: Cambridge UP, 2017), pp. 397-416.

(8) “Pacifist Writer, Propagandist Publisher: Rose Macaulay and Hodder & Stoughton.” Landscapes and Voices of the First World War, ed. Angela K. Smith and Krista Cowman (New York: Routledge, 2017), pp. 131-50.

(9) “‘Introductions by Eminent Writers’: T. S. Eliot and Virginia Woolf in the Oxford World’s Classics Series,” The Book World: Selling and Distributing Literature, 1900-1940, ed. Nicola Wilson (Leiden: Brill, 2016), pp. 52-80.